ABOUT THE PROJECT – AJUMMA WELLBEING CLINIC

AJUMMA WELLBEING CLINIC is a participatory art–science performance installation that reimagines menopause and Korean Ajumma identity through a speculative Social Prescribing framework.

What and who are Ajumma?

middle-aged asian women sitting in a row on the public bench, eating and sharing food. They wear colourful mismatched clothes with backpacks and hats.

Ajumma sitting in a row on a public bench, sharing food. Notice their comfortable clothes, shoes, tight perm. Most of them are wearing hats to protect themselves from the sun. Image: Pinterest

Ajumma [Ah-Joom-Mah] means a Korean gender and age-related derogatory term depicting women in menopause. It is a title for Korean menopausal women to attribute them as ‘over the hill’, ‘no longer worthy of the male gaze’, ‘too loud, crazy, outspoken’, ‘they’ve let themselves go with their appearance as they’ve become too pudgy and no longer wear trendy clothes’. Currently, no woman wants to be called Ajumma as they are considered beyond the attractive age. I suppose ‘the attractive age’ must mean the reproductive age because the societal value for women is usually confined within the range of the reproductive period.

In partnership with ANAT through their Bespoke Program 2026—an opportunity I feel deeply privileged to receive—AJUMMA WELLBEING CLINIC challenges the stigmatising perceptions of menopausal women and Ajumma, whose experiences of dismissal, stereotyping, and invisibility closely mirror those of many menopausal women in Australia. Continue reading

INTRODUCTION & CONTEXTUAL BACKGROUND

[R&D Residency at Adelaide University_1 – 13 March 2026]

I am back at the familiar Body In Mind (BIM) lab at Adelaide University, formerly the University of South Australia. I first came here in 2014–15 to work with the team of pain scientists, supported by Accessible Arts and later through the Synapse Residency with ANAT.

A large long white table with red chairs on a cozy grey and red patterned carpeted floor. In the background, there are rows of computers.

Body In Mind common area, Adelaide University

Back in 2014, it was an exhilarating moment for me as an emerging artist. I had never had an artist residency before — let alone an interstate one — and I had never worked with scientists or anyone outside the art discipline. Everything was new. Continue reading